LEE PAYNE

Tag: film

  • Watch This: Blossoms – Back To Stockport

    As much as I love football, I am getting a bit tired of the daily dose of games beamed live from empty grounds. I’m really starting to miss crowds now. A living, breathing crowd adds so much to sport. Bordered by empty seats, even the biggest games feel like no big deal – Liverpool v Manchester United might as well have been Tranmere v Oldham.

    Last night Arsenal played Newcastle, and, while I would usually have the game on in the background while doing other things, this time I decided to watch something more interesting. I watched Blossoms – Back To Stockport.

    It’s a documentary film about the band Blossoms, exploring their origins and showing their preparations for a big homecoming gig in front of 15,000 people at Edgeley Park, home of Stockport County Football Club, which took place on 22nd June 2019.

    Blossoms. Left to right: guitarist Josh Dewhurst, bass player Charlie Salt, lead singer Tom Ogden, drummer Joe Donovan and keyboard player Myles Kellock

    In case you haven’t heard of them, Blossoms are a five-piece band from the aforementioned town of Stockport, near Manchester. The sort of music they make is probably best defined as psychadelic-indie-rock-pop. They came fourth on the BBC’s Sound of 2016 list, the broadcaster’s annual pick of musicians to listen out for in the year ahead. I first heard about them as I am a listener of Radio X, who included Blossoms on their similar Great X-Pectations list, and gave a lot of radio play to their single Charlemagne.

    Charlemagne, the breakthrough single for Blossoms

    I was immediately drawn to the band I think, in part, because there was a certain groove, a funk, to their songs – a sound that manages to simultaneously feel both modern and retro. I respect the fact that the frontman Tom Ogden writes all the songs and they all seem genuinely great guys who are living the dream. If you know anything about me, you’ll know that I am a total devotee to Arctic Monkeys, so you can imagine how delighted I was to hear in the film that Blossoms started off doing Arctic Monkeys covers and described Alex Turner as an ‘idol’.

    The film is made to a very high standard. It goes in-depth on the back stories of the five members of the band (discovering that all but one of them is younger than me made me feel old), who go against the grain of many rock bands of the past by showing themselves to be best mates in a way that they simply couldn’t put on for the cameras. Footage of the Edgeley Park gig runs as a thread throughout, and there are even little animated inserts to go along with whatever story one of them is telling at that moment.

    In Ogden, the band have a figurehead who demonstrates great showmanship on stage – the long hair and the 70s suits – but away from it he’s a quiet guy who just likes walking his dog. The drummer, Joe Donovan, has been Ogden’s friend since they were at school together and is a ball of energy brilliantly described by the others as ‘like having a fan of the band who is in the band’. Bassist Charlie Salt is a sort of older brother figure (he was born in 1991 for Christ’s sake!) who has the air of someone who would be able to charm his way into anything. Myles Kellock plays the keyboards, but seemingly only half as much as he plays video games – there’s one shot in the film where he’s playing what looks like Mario Kart at the back of a recording studio while the others are working on a song. His keyboards certainly contribute greatly to that modern/retro sound I described earlier, though.

    That leaves my favourite member of the band, lead guitarist Josh Dewhurst. He has a quality that I admire a lot, and that is being funny with a straight face. He doesn’t go out of his way to make people laugh, he just has a dry wit that makes him naturally funny. I’m someone who relies a lot on sarcasm so I can relate. In one scene, the band are being fitted out with the suits they will wear on stage at the big gig and Dewhurst tells a hilarious story about how he’s had to have pockets made on his trousers because, according to the tailor, ‘you don’t have an arse’. He tells it in such a way that makes Ogden in the background crack up, as did I. Dewhurst is also an incredibly talented musician. On the most recent Blossoms album, Foolish Loving Spaces, on the track Your Girlfriend the cowbell-type sound at the beginning was produced by Dewhurst hitting the wheel of a car.

    Your Girlfriend, from the 2020 Blossoms album Foolish Loving Spaces

    The shots of 15,000 people packed tightly onto the Edgeley Park pitch feel like a window into a different world, one in which no one knew what social distancing was. As hard as it is to believe at the moment, those days will return but for now this film is a wonderful tonic for these locked down times.

    I urge you to both give Blossoms a listen and watch the film. Their music appeals to all ages – I gave my mum one of their albums as a present last year and she’s had it on almost constantly in her car ever since – and the film is inspiring, in that a group of lads who a few years ago were playing to fifty people in pubs are now headlining stadium gigs. Watch the trailer below and the film is on Amazon Prime.

    The trailer for Blossoms – Back To Stockport

  • My favourite film – Submarine

    I have mentioned before that films aren’t really my thing. I’m not quite sure why that is. I struggle to suspend my disbelief for 90+ minutes and therefore find it difficult to feel involved in a film (but then I can do that no problem with a TV series), and while the big explosions and huge fight scenes might entertain a lot of people they tend to bore me. Michael Owen gets a lot of stick for feeling this way, but I’m totally with him.

    As a result of this, I have seen a very short list of films so far. I was taken to the cinema as a child, mostly to see Disney animations as I recall, but you could name a huge number of ‘classics’ that I’ve never seen a single second of. I saw Blade Runner for the first time last year – purely because it was set in November 2019 and it was appropriately geeky in my eyes to watch it in November 2019. To be honest, I didn’t really see what the fuss was all about.

    My favourite film is one that a lot of people probably haven’t heard of. It was released in 2011, following a premiere at the Toronto International Film Festival in September 2010. It’s called Submarine.

    Submarine trailer

    Submarine is not about submarines. The film is based on a novel by Joe Dunthorne, who wrote most of it while at the University of East Anglia doing a creative writing degree. I read the book after seeing the film and thoroughly enjoyed it – the big screen adaptation stayed remarkably true to the source material, and Dunthorne’s writing style was very readable.

    The focus of Submarine is a 15-year-old boy, Oliver Tate, who is something of an outsider. No wonder I can relate to the character. You see, when I was at school there was usually one girl a year that I was completely besotted with. But I never told any of them – I never even tried to speak to them at all. I preferred to admire from afar. Oliver seems to take a similar approach, but plans his attempt to get together with the object of his desires, Jordana Bevan, with military precision.

    Jordana Bevan (Yasmin Paige) and Oliver Tate (Craig Roberts) in Submarine

    I don’t want to spoil it, I want you to go and watch it, so I won’t go too far into the story but it centres around Oliver and Jordana’s relationship, Oliver’s fears that his mother is having an affair, and Oliver’s reaction to a crisis in Jordana’s family. There are poignant moments but also some very funny ones (‘My mother is worried I have mental problems. I found a book about teenage paranoid delusions during a routine search of my parents’ bedroom.’)

    The title is derived from a line in the book, a love letter Oliver sends Jordana, in which he states ‘you are the only person that I would allow to be shrunken down to a microscopic size and swim inside me in a tiny submersible machine’.

    Richard Ayoade, who you may know as Moss from The IT Crowd, directed the film and did a fantastic job at rooting it in the book’s 1980s setting. I think it’s the feeling Ayoade creates that seals the deal for me in making this my favourite film.

    Richard Ayoade directed the film

    So, will you have heard of any of the cast? Well, Oliver is played by Craig Roberts, who first appeared in the kids’ TV show The Story of Tracey Beaker and also turned up in one of the later episodes of Skins. Noah Taylor, who plays Oliver’s father, has been in Game of Thrones and Peaky Blinders, his mother (Sally Hawkins) starred in The Shape of Water, and Jordana’s mother is played by Melanie Walters, best known for playing Stacey’s mum Gwen in Gavin & Stacey.

    Oh, and the fact that Alex Turner, the frontman of Arctic Monkeys, wrote and performed six songs for Submarine’s soundtrack is just a coincidence…

    Submarine often pops up on streaming platforms, though at the time of writing is only available for rental or purchase. Click here for places to get it.