Tag: josh

  • Listen To This: Ribbon Around The Bomb by Blossoms

    Cover art for Ribbon Around The Bomb by Blossoms

    I love music. I love all kinds of music. It doesn’t have to be a certain genre or style, it just has to make me feel something.

    One of my favourite bands is Blossoms, who I was delighted to discover when they were heavily promoted by Radio X (formerly XFM) in 2016. The five piece from Stockport have a knack for catchy riffs and singalong tunes, with every song written by frontman Tom Ogden. Their self-titled debut album reached number one, as did their third effort Foolish Loving Spaces in 2020. On 29th April 2022, the band released their latest: Ribbon Around The Bomb. Here’s my review.

    Blossoms. Left to right: guitarist Josh Dewhurst, drummer Joe Donovan, frontman Tom Ogden, bass player Charlie Salt and keyboard player Myles Kellock.

    It was soon after 6am on Friday and I was hauling myself into my car for the half an hour drive to work, contemplating the day ahead. It had been a hell of a week. The new Blossoms album had been released at midnight, though, and I was looking forward to having the time to give it a good listen on my journey.

    The best thing about music is its ability to take you out of yourself. No matter what you’ve got going on, a song can change your mood in an instant. The very best songs transport you to somewhere else entirely. One of my heroes, Alex Turner from the Arctic Monkeys, sums it up:

    “Some of my favourite records, to me, feel like places that you can sort of go to and move in to for a bit.”

    Within a few seconds of hearing the strings of short instrumental opener The Writer’s Theme, I had a smile on my face. When it beautifully segued into Ode To NYC – a love letter to the Big Apple and one of four singles released ahead of the full album – I had the feeling that the world isn’t such a bad place after all. The rest of my car journey was serene, totally enraptured by the tunes coming from the radio.

    Ribbon Around The Bomb, the title track and my favourite of the four singles, is followed by The Sulking Poet, a highlight of the album and a song inspired by a Blossoms fan account on Instagram that referred to frontman and principle songwriter Tom Ogden as such due to him often appearing to have a ‘face like a slapped arse’ in interviews.

    Next is Born Wild, which for me brings back memories of the band’s previous chart topping album Foolish Loving Spaces. Then it’s The Writer, which carries a more than passing resemblance to the Oasis track Half The World Away.

    Blossoms show how they have matured on their new album

    Everything About You keeps up the album’s theme of marrying intriguing, inward-looking lyrics with cheerful melodies. Care For is a disco-inspired joy, with Ogden waxing lyrical about his new wife. Cinerama Holy Days has perhaps the album’s most repeatable chorus, while Edith Machinist has those wonderful strings adding the cherry on top of the cake.

    At 7 minutes, Visions is one of the longest songs Blossoms have ever made and contains its most talked about lyric:

    Was I complete at 23?

    Visions by Blossoms

    Then, with another instrumental lasting less than minute, the appropriately titled The Last Chapter brings us home.

    This is an album that I think will prove as pivotal to the longevity of Blossoms as Humbug was to Arctic Monkeys. An evolution, rather than a revolution. The sound of a band maturing and learning with every new track. Work on a fifth record is apparently already underway and I for one can’t wait to hear more. Ribbon Around The Bomb is an album they should be very proud of.

    Listen to Ribbon Around The Bomb by Blossoms on all usual musical streaming services, including Apple Music. You can buy the album from their official store here.

  • Wouldn’t Carrow Road be a better place without some of the Snake Pit? | Norwich Nuggets: Brighton (h)

    Another dull international break finally over, Norwich City returned to action with a home game against Brighton & Hove Albion. There was hope in the air: the point and clean sheet gained at Burnley two weeks ago, the success our players had while away with their countries and a pleasingly short injury list combined to put a spring in the step of many City fans.

    Alas, it ended 0-0.

    A moment that will haunt Josh Sargent

    Solid at the back – at last

    Five at the back. Dimitris Giannoulis and Max Aarons the full backs, with Ben Gibson, Grant Hanley and Ozan Kabak forming a wall in front of goalkeeper Tim Krul. This formation was first deployed at Burnley and it brought Norwich’s first Premier League clean sheet since February 2020. Ok, Brighton weren’t great. Certainly not the ‘top four challengers’ we’ve heard so much about. Credit where credit is due though. All of the defenders played well and worked together to keep them out.

    Those five were aided by man-of-the-match Matthias Normann, who charged all over the pitch until cramp got the better of him. Pierre Lees-Melou also had his best game in a City shirt, demonstrating a handy ability to nick the ball off the opposition and move the ball away from danger.

    Matthias Normann was excellent against Brighton

    What does Farke see in Rupp?

    I have to say I was rather surprised to see Lukas Rupp getting ready to come on in the second half, to replace the aforementioned Normann. What Norwich seemed to lack all afternoon was a bit of creativity, someone to play that pass or make that run that just opens things up. I thought this was a perfect time to bring on Billy Gilmour, confidence high after earning rave reviews in the Scotland team. I struggle to see what Rupp brings to the side to be honest, but Daniel Farke is clearly a big fan.

    Wouldn’t Carrow Road be a better place without some of the Snake Pit?

    The Snake Pit believes itself to be Norwich’s ‘ultras’ but so far this season that corner of the ground has come to represent exactly what I don’t want my football club to be. Some (and I stress, some) booed the taking of the knee (a simple anti-racism gesture), booed the team after a good performance, and in one particularly embarrassing moment booed the wrong black man until they could work out which one Yves Bissouma was, the unused Brighton substitute believed to be the one arrested earlier this month. Some of the Snake Pit crowd need to take a long look at themselves.

    The best we’ve played this season

    Despite the negativity I’ve seen on social media, I was actually proud of the performance of the Norwich team today and I applauded the players as they did a lap of the ground at full time. It was the best I’ve seen us play this season (a low bar, I am aware) and there have been real signs of improvement since the dreadful home defeat to Watford. There is also no sign of anyone not playing for the manager.

  • Listen To This: Humbug by Arctic Monkeys

    Listen To This: Humbug by Arctic Monkeys

    You’ve had two number one albums. The first was the fastest selling debut album in British music history. You’ve won the Mercury Prize. You’ve headlined Glastonbury. Where do you go from here?

    Many would have been tempted to stick to the formula that had brought such huge success, releasing a rinse-and-repeat third album to please the masses. Not Arctic Monkeys.

    After a whirlwind period in which the Sheffield band’s first two albums had been released within fifteen months of each other, there was more of a gap between 2007’s Favourite Worst Nightmare and its follow up. The front man, Alex Turner, recorded with his side project The Last Shadow Puppets – the resulting album, The Age of the Understatement, also went to number one.

    The four members of Arctic Monkeys had first met Josh Homme while playing the support act for his band, American rock outfit Queens of the Stone Age, in Houston. The idea of working together was mooted and in late 2008 they began making music with Homme in his recording studio near Los Angeles. They then continued to work in another studio in the Mojave Desert – about as far away from suburban Sheffield as it is possible to imagine.

    The result was Humbug.

    Album cover of Humbug by Arctic Monkeys

    Track listing (click to listen)

    My Propeller
    Crying Lightning
    Dangerous Animals
    Secret Door
    Potion Approaching
    Fire and the Thud
    Cornerstone
    Dance Little Liar
    Pretty Visitors
    The Jeweller’s Hands

    Ten tracks, all written by Turner as usual, but this time the lyrics were more abstract and instead of just guitars and drums those lyrics were accompanied by keyboards, xylophones, glockenspiels and shakers.

    I won’t go into detail about each song, but here a couple of things I want to say: Fire and the Thud was written about Turner’s then-girlfriend Alexa Chung, and Cornerstone contains my favourite lyrics in the entire Monkeys canon.

    Tell me, where’s your hiding place?

    I’m worried I’ll forget your face

    And I’ve asked everyone

    I’m beginning to think I imagined you all along

    Cornerstone by Arctic Monkeys

    Humbug was released in the UK on 24th August 2009, which was not just the day before my 17th birthday but also five days before Arctic Monkeys headlined Reading Festival with a set that included seven of the new album’s ten tracks. They were almost unrecognisable from the band that had performed on the same stage just three years earlier – the hair was longer, the guitars louder, the mood darker.

    Arctic Monkeys headlining Reading Festival in 2009

    As such a major departure from their earlier work, it took some fans time to get their heads around Humbug but it was another number one album for the band and is now seen as something of a gateway for them – a record that allowed them to break out of the image of cheeky indie lads and into bona fide rock stars. It paved the way for AM, the album that broke America, and the other-worldly Tranquility Base Hotel & Casino.

    Yes, I’m well aware that I’m biased (I’ve listened to Arctic Monkeys nearly every day for years), but I urge you to give this album a listen.

  • Watch This: Blossoms – Back To Stockport

    As much as I love football, I am getting a bit tired of the daily dose of games beamed live from empty grounds. I’m really starting to miss crowds now. A living, breathing crowd adds so much to sport. Bordered by empty seats, even the biggest games feel like no big deal – Liverpool v Manchester United might as well have been Tranmere v Oldham.

    Last night Arsenal played Newcastle, and, while I would usually have the game on in the background while doing other things, this time I decided to watch something more interesting. I watched Blossoms – Back To Stockport.

    It’s a documentary film about the band Blossoms, exploring their origins and showing their preparations for a big homecoming gig in front of 15,000 people at Edgeley Park, home of Stockport County Football Club, which took place on 22nd June 2019.

    Blossoms. Left to right: guitarist Josh Dewhurst, bass player Charlie Salt, lead singer Tom Ogden, drummer Joe Donovan and keyboard player Myles Kellock

    In case you haven’t heard of them, Blossoms are a five-piece band from the aforementioned town of Stockport, near Manchester. The sort of music they make is probably best defined as psychadelic-indie-rock-pop. They came fourth on the BBC’s Sound of 2016 list, the broadcaster’s annual pick of musicians to listen out for in the year ahead. I first heard about them as I am a listener of Radio X, who included Blossoms on their similar Great X-Pectations list, and gave a lot of radio play to their single Charlemagne.

    Charlemagne, the breakthrough single for Blossoms

    I was immediately drawn to the band I think, in part, because there was a certain groove, a funk, to their songs – a sound that manages to simultaneously feel both modern and retro. I respect the fact that the frontman Tom Ogden writes all the songs and they all seem genuinely great guys who are living the dream. If you know anything about me, you’ll know that I am a total devotee to Arctic Monkeys, so you can imagine how delighted I was to hear in the film that Blossoms started off doing Arctic Monkeys covers and described Alex Turner as an ‘idol’.

    The film is made to a very high standard. It goes in-depth on the back stories of the five members of the band (discovering that all but one of them is younger than me made me feel old), who go against the grain of many rock bands of the past by showing themselves to be best mates in a way that they simply couldn’t put on for the cameras. Footage of the Edgeley Park gig runs as a thread throughout, and there are even little animated inserts to go along with whatever story one of them is telling at that moment.

    In Ogden, the band have a figurehead who demonstrates great showmanship on stage – the long hair and the 70s suits – but away from it he’s a quiet guy who just likes walking his dog. The drummer, Joe Donovan, has been Ogden’s friend since they were at school together and is a ball of energy brilliantly described by the others as ‘like having a fan of the band who is in the band’. Bassist Charlie Salt is a sort of older brother figure (he was born in 1991 for Christ’s sake!) who has the air of someone who would be able to charm his way into anything. Myles Kellock plays the keyboards, but seemingly only half as much as he plays video games – there’s one shot in the film where he’s playing what looks like Mario Kart at the back of a recording studio while the others are working on a song. His keyboards certainly contribute greatly to that modern/retro sound I described earlier, though.

    That leaves my favourite member of the band, lead guitarist Josh Dewhurst. He has a quality that I admire a lot, and that is being funny with a straight face. He doesn’t go out of his way to make people laugh, he just has a dry wit that makes him naturally funny. I’m someone who relies a lot on sarcasm so I can relate. In one scene, the band are being fitted out with the suits they will wear on stage at the big gig and Dewhurst tells a hilarious story about how he’s had to have pockets made on his trousers because, according to the tailor, ‘you don’t have an arse’. He tells it in such a way that makes Ogden in the background crack up, as did I. Dewhurst is also an incredibly talented musician. On the most recent Blossoms album, Foolish Loving Spaces, on the track Your Girlfriend the cowbell-type sound at the beginning was produced by Dewhurst hitting the wheel of a car.

    Your Girlfriend, from the 2020 Blossoms album Foolish Loving Spaces

    The shots of 15,000 people packed tightly onto the Edgeley Park pitch feel like a window into a different world, one in which no one knew what social distancing was. As hard as it is to believe at the moment, those days will return but for now this film is a wonderful tonic for these locked down times.

    I urge you to both give Blossoms a listen and watch the film. Their music appeals to all ages – I gave my mum one of their albums as a present last year and she’s had it on almost constantly in her car ever since – and the film is inspiring, in that a group of lads who a few years ago were playing to fifty people in pubs are now headlining stadium gigs. Watch the trailer below and the film is on Amazon Prime.

    The trailer for Blossoms – Back To Stockport