Tag: one

  • 7 Tests, ODI tri-series and get rid of The Hundred – my ideas to improve cricket

    The T20 Blast has the excitement and the crowds, so there’s no need for The Hundred

    In a concerning development this week, The Guardian reported that the England and Wales Cricket Board could be asked to move or even cancel the scheduled fifth Test match against India this summer. Due to take place between the 10th and 14th September at Old Trafford, it is believed that the Indian board may want the game shifted to make space in the calendar to complete this year’s Indian Premier League. The T20 tournament was suspended earlier this month due to an outbreak of Covid-19 amongst players and staff.

    Given that The Guardian claims the remaining 31 IPL matches are worth £200m in broadcast revenue for the Board of Control for Cricket in India (BCCI), it’s not hard to see why they would be keen to squeeze in the remainder of the tournament in a packed calendar. To me, however, it feels like a pivotal moment in the sport’s history – if an international fixture was moved or cancelled to accommodate a domestic franchise tournament, it would send out a message of cricket’s priorities and there may be no going back. It cannot be allowed to happen.

    This comes as cricket in England is also at a crucial stage. The Hundred, a whole new format cooked up by marketing men and despised by almost everyone with a passing interest in the game, is set to start in July. I’ve been thinking about ways to improve cricket and here are some of my suggestions.

    England should play 7 Tests every summer

    Test matches. The purest form of the game. The best form of the game, in my opinion. A prolonged examination of a player’s skills, a test of their concentration. There is nothing like the ebb and flow of a Test, the way the story unfolds over the course of five days. You can dip in and out of it, coming back to a match that has changed dramatically in the few hours you’ve been at work.

    England is one of the few countries that can still fill a ground for Test match cricket, a sad indictment of the world’s shortening attention spans. But, with this privileged position, we should make the most of it by playing seven Tests every summer. One series of three, one series of four. The only exception to this would be an Ashes year, in which the battle against the old enemy Australia would have to be over five and the other opponent would have to come over for two matches.

    Bring back the ODI tri-series

    The last ODI tri-series in England in 2005 featured a memorable Bangladesh victory over world champions Australia in Cardiff

    Up until 2005 the English summer would include an ODI tri-series, where three teams – usually England and that year’s two touring sides – would compete for a place in a final at Lord’s. The demise of the tri-series was down to money, of course. The matches that didn’t involve England would understandably generate less interest, making it harder to sell tickets for them and broadcasters to question why they were paying so much for the rights. But as such a multi-cultural place, I think there is still the opportunity for a highly successful tri-series to return. Imagine England playing a two Test series with Pakistan and a four Test series with India, with the meat in the middle of that sandwich being a tri-series including three India v Pakistan clashes at grounds such as Edgbaston, Headingley and Trent Bridge – cities with large British Asian populations.

    The T20 Blast is everything the ECB want The Hundred to be

    As a cricket tragic I find The Hundred a bit of an insult. This sport that I love so much is apparently too complex and too boring to attract new fans without it being pulled into a shape I don’t recognise first. And that’s according to the governing body! I refuse to believe that the concept of 20 overs of six balls would be too much for the general population to understand. And the idea of changing the term ‘wickets’ to ‘outs’? Do me a favour.

    What about the county cricketers of this country, professionals who ply their trade for clubs that have existed for over a century? For them to be told that they are no longer relevant and that the focal point of the summer will now be crass, made-up teams with names as risible as ‘Oval Invincibles’ is just offensive. The fact is, the ECB already have the answer to attracting new fans to cricket right in front of them – it’s called the T20 Blast.

    According to a brilliant Elizabeth Ammon column in Wisden Cricket Monthly magazine, in 2019 all eighteen county teams reported that ‘between 20% and 50% of their ticket sales [for the T20 Blast] were families, and a quarter were people who had not previously bought tickets’. I went to a Blast match that year which had a crowd bigger than most international fixtures around the world. Give it a window so the best players in the world have the chance to come and play in it, get some of it on primetime terrestrial television, and the game of cricket will get the popularity boost the ECB craves. And they won’t have alienated most of the existing fans in the process.

  • Listen To This: AM by Arctic Monkeys

    Listen To This: AM by Arctic Monkeys

    AM album cover

    Yes, I’m writing about Arctic Monkeys again. To go with my pieces on their first, second and sixth albums, I am going to take you track-by-track through the record that cracked America for the four-piece from Sheffield.

    One of the things I admire so much about Alex Turner, Jamie Cook, Nick O’Malley and Matt Helders is how they have evolved over time. They have never been afraid to go in a completely different direction and, to them, making the same music over and over again is a crime. Listen to their first hit single, 2005’s I Bet You Look Good on the Dancefloor, and One Point Perspective, my favourite track from the 2018 album Tranquility Base Hotel & Casino, and you can scarcely believe that the two songs were written and recorded by the same band.

    By the time AM was released on 9th September 2013, Arctic Monkeys had transformed from the scruffy indie kids in baggy jeans they were when they started out to rockers with slicked-back hair and leather jackets. The music had gone through a similar process.

    In an interview with BBC Radio 1 at the time of release, frontman Alex Turner said:

    “…it feels like this record is exactly where we should be right now. So it felt right to just initial it.”

    AM was born – with more than a nod to VU, released in 1985 by the Velvet Underground.

    Track list (click on one to listen)

    Do I Wanna Know?
    R U Mine?
    One For The Road
    Arabella
    I Want It All
    No. 1 Party Anthem
    Mad Sounds
    Fireside
    Why’d You Only Call Me When You’re High?
    Snap Out Of It
    Knee Socks
    I Wanna Be Yours

    The album’s opening track Do I Wanna Know? features what I consider to be one of the great guitar riffs. If you happen to be walking somewhere listening to it through headphones, I promise that you will feel approximately 94% cooler than you really are. The song is about unrequited love, how difficult it is to move on when you’ve been obsessed with someone and ponders whether the narrator really wants to know ‘if this feeling flows both ways’ or not.

    Another reason why this band means so much to me is that I really identify with the lyrics. There’s a line in the song – ‘maybe I’m too busy being yours to fall for somebody new’ – that completely nails how I’ve felt in the past, in a way that I hadn’t been able to figure out for myself up to that point. Do I Wanna Know? was the first Arctic Monkeys song to make the Billboard Hot 100 chart in the US and was the opener to every gig the band played when touring the album. If you’re a fan of Peaky Blinders you might recognise it too.

    The band wanted to make a record that sounded good in a car and after that strong start they follow it up with R U Mine?, which sounds a bit like an up-tempo version of Do I Wanna Know?. The rapidly delivered lyrics are about missing the object of your desires and having a sincere feeling that every moment spent without them is wasted. The video for the song won the NME award for Best Video:

    The award winning video for R U Mine?

    One For The Road is the first example on the album of the continuing influence of Josh Homme on Arctic Monkeys. The frontman of Queens of the Stone Age first worked with the Monkeys on their third album Humbug and has been close to them ever since. In this song, you get the sense that Homme – who features on vocals – is moving their sound away from their native Sheffield and towards a kind of Americana. This was not a popular move among some of the fans but, for me, it’s really good if done well – which it is here.

    “And when she needs to shelter from reality she takes a dip in my daydreams”

    — Lyric from Arabella

    Alex Turner would introduce a performance of the fourth track from the album by informing the crowd ‘I want to tell you about a girl called Arabella!’. The lyrics are poetic, full of metaphors and a sign of how Turner’s songwriting has matured from, as he put it, ‘pointing at things and talking about them’ to speaking more from within. The song is essentially all about how awesome the aforementioned Arabella is.

    I Want It All and Mad Sounds are as close as this album gets to filler – very listenable songs, both achieve the aim of sounding great in the car – but just not particularly ground breaking. Between those tracks sits No. 1 Party Anthem, the obligatory ‘slow’ number on the album. I’m not sure why, but it feels to me like a bit of a tribute to the band’s debut single I Bet You Look Good On The Dancefloor. It contains some cracking lyrics too, my favourite being ‘It’s not like I’m falling in love, I just want you to do me no good/And you look like you could’. The performance of it at Reading festival in 2014 was a highlight of their set.

    No. 1 Party Anthem live at Reading Festival in 2014

    Take in Fireside for its tale of how love can be unpredictable, the much-covered Why’d You Only Call Me When You’re High? for its story of frustration and try to get over that special someone with Snap Out Of It.

    Knee Socks is another song featuring the voice of Josh Homme, which might explain why I’ve always found it very similar to One For The Road.

    Most people would agree that Arctic Monkeys is a terrible name for a band. The story goes that it was guitarist Jamie Cook who came up with it but they were always looking to change it, until the performance poet John Cooper Clarke was apparently the first person to say he actually liked it. Clarke had always been a hero of Alex Turner’s, which isn’t surprising what with his proficiency with language, and performed at the Sheffield bar Turner was working in one night. Turner plucked up the courage to tell Clarke about the band he was part of and Clarke said ‘that’s a name I can imagine in the hit parade!’. The name has stuck ever since, and one of Clarke’s poems was slightly tweaked to turn it into the closing song on AM.

    I Wanna Be Yours, with its quirky lyrics including ‘let me be your vacuum cleaner, breathing in your dust’, seems the perfect way to finish off the record – it’s a love song, but one that’s down to earth and not too mushy. And for a brooding, confident album there seems no better ending.

  • England in South Africa – preview

    England’s tour of New Zealand was a bit of a let down. It was a much anticipated first meeting of the two teams since the World Cup final, the sides evenly matched and now rivals full of mutual respect. The series of five T20s, however, was four too many. I understand that preparations for next autumn’s T20 World Cup are now the focus but five felt like too much.

    The tourists rested most of their biggest names for those white ball matches and went with fresh faces. There was no Jos Buttler, Jason Roy or Jofra Archer to name just three, but there was Tom Banton, Pat Brown and Saqib Mahmood. While it was intriguing to see how these youngsters got on, it left the T20s without that star quality – especially as New Zealand were without their captain Kane Williamson, who was injured.

    Somerset youngster Tom Banton got his first chance to impress in England colours in New Zealand

    The cricket was good, to be fair. England won the first game, then their inexperienced bowlers suffered and they found themselves 2-1 down. Dawid Malan then scored the fastest T20I century by an Englishman, smashing an unbeaten 103 from 51 balls, and leg spinner Matt Parkinson took four wickets on his debut to level the series.

    After the drama at Lord’s in July, incredibly, the last match ended in a tie. Reduced to 11 overs a side in Auckland due to rain, both teams scored 146. This time the Super Over was decisive, with England comfortable winners.

    New Zealand’s Jimmy Neesham couldn’t believe it when another match against England went to a Super Over in Auckland

    There were only two Tests, which is never enough but especially not when it’s England versus New Zealand. The Black Caps have become a very fine Test team in recent years and deserve at least three matches against the ‘marquee’ sides. Reportedly the New Zealand board lose money when they host Test matches, which rather forces their hand unfortunately. Neither of the Tests were part of the World Test Championship either, which gave the whole series the feel of a warm up for bigger things to come.

    As beautiful as the cricket grounds of New Zealand are, the pitches prepared did not provide a great advertisement for Test cricket. The Bay Oval in Mount Maunganui hosted its first Test match but saw the hosts bat for 200 overs and then dismiss England for 197 to win by an innings. A week later in Hamilton the England captain Joe Root made a very welcome return to form with 226 but rain and a placid surface meant New Zealand easily played out a draw and took the series 1-0.

    New Zealand wicketkeeper BJ Watling batted for 11 hours in scoring 205 in the first Test against England

    Williamson’s men were using the series to prepare for crossing the Tasman, as they had been given the rare opportunity to have a proper go at Australia. For the first time in more than thirty years New Zealand will be part of the Boxing Day Test at the Melbourne Cricket Ground. The Aussies are resurgent at the moment and thrashed them by 296 runs in Perth – it remains to be seen if they can bounce back from that.

    England will be playing on Boxing Day as well, in Centurion in the first Test against South Africa. It feels like a properly big series, this one. Four Tests, two well matched sides, playing at grounds that have produced exciting cricket over the last few years. For the TV spectator back home, the time difference between the UK and South Africa means the first ball of each day’s play will be bowled at either 8am or 8.30am. Wonderful. Especially when the New Zealand games were real through-the-night affairs.

    Jimmy Anderson, England’s all time leading Test wicket taker, looks set to return to the team after a year blighted by injury. He has not bowled a ball for his country since limping off after sending down four overs on the first day of the Ashes at Edgbaston in August. It would be great to see him back. The tourists will also hope that Root’s double hundred in his last outing means the skipper has turned a corner, as well as that Jofra Archer can bowl at his quickest once again.

    Jimmy Anderson is fit and ready to return for England in South Africa

    South Africa have been in chaos off the field. Among other things their board’s chief executive was suspended following allegations of misconduct, their players were apparently considering going on strike over a breach of commercial rights and a number of sponsors announced they would be ending their association with Cricket South Africa, raising concerns about the board’s financial security.

    The team itself were recently hammered in a Test series in India, and earlier this year were surprisingly beaten at home by Sri Lanka. Former captain Graeme Smith is now interim director of cricket and has appointed his former wicketkeeper Mark Boucher as coach so the Proteas will be hoping some form of stability at the top will enable the team to be somewhere near their best against England.

    It should be a fascinating series. I can’t wait.

  • The Cricket World Cup – what’s all the fuss?

    For a mad keen cricket fan like me, 2019 is like a birthday and Christmas present rolled into one. The World Cup is being held in England and Wales, with England the favourites to win it, and in August the Ashes start with England and Australia renewing their famous rivalry.

    I have friends who may not quite understand much about cricket and why I’m so excited about this year – so I’ve written this for you.

    Hosts England are favourites to win the cricket World Cup

    When does the World Cup start?

    The World Cup is just one week away. It starts on Thursday 30th May when England play South Africa at The Oval in London. The final is on Sunday 14th July at Lord’s.

    How does the World Cup work?

    There are ten countries playing in the World Cup. That’s not many compared to other sports. Compare it to the last football World Cup – where 32 teams were involved – or the rugby World Cup later this year, which will feature 20 teams.

    Those 10 teams are:

    Afghanistan
    Australia
    Bangladesh
    England
    India
    New Zealand
    Pakistan
    South Africa
    Sri Lanka
    West Indies

    The teams all play each other once, with the top four going through to the semi-finals. There, 1st place will play 4th place and 2nd will play 3rd. Then, of course, the winners of those matches will play in the final.

    There will be one match a day (two on Saturdays) between the start of the tournament on 30th May and the conclusion of the group stage on 6th July.

    Where are the matches being played?

    Ten grounds will host matches in the World Cup, stretching as far north as County Durham and as far south as Hampshire. They are:

    The Riverside (Durham)
    Headingley (Leeds)
    Old Trafford (Manchester)
    Trent Bridge (Nottingham)
    Edgbaston (Birmingham)
    Lord’s (London)
    The Oval (London)
    County Ground (Bristol)
    Sophia Gardens (Cardiff)
    County Ground (Taunton)
    Rose Bowl (Southampton)

    The iconic Lord’s will host the cricket World Cup final on 14th July

    How can I follow it?

    Every single match of the World Cup is live on Sky Sports, so you’ll need to pay to watch it on TV. Now TV is the best way in my opinion – you can buy one of their devices and buy a Sky Sports month pass for £25. Two of those will see you through the World Cup.

    Highlights of every match will be on Channel 4.

    If you prefer listening to the radio, commentary will be available on the BBC’s famous Test Match Special on Radio 5 Live Sports Extra.

    Why are you so excited about it?

    This is the first time England have hosted the cricket World Cup since 1999. Back then, I was a nearly-7-year-old who didn’t know what cricket was. England are also the favourites for it, going into the tournament as the number one ranked One Day International (ODI) team in the world.

    Australia won the last cricket World Cup in 2015

    It’s going to a close run thing, too – out of the ten teams playing, I reckon seven have a genuine chance of winning it. I think Afghanistan, Bangladesh and Sri Lanka will struggle but the other seven will be fighting for the four places in the semi-finals. Even those three I’ve mentioned are capable of causing a few upsets.

    I hope you’ve found this guide useful and you might indulge in a bit of cricket over the next eight weeks or so. I’ll be writing about the games you should watch as we go along.

  • One year on: Tranquility Base Hotel & Casino by Arctic Monkeys

    Arctic Monkeys
    Left to right: Jamie Cook (guitar), Nick O’Malley (bass), Alex Turner (lead singer), Matt Helders (drums)

    Arctic Monkeys are my all time favourite band. No one else has ever made music that has spoken to me in quite the way they have. I own all six of the albums they have released to date, I know every one of their songs and the brilliant lyrics of their frontman Alex Turner have accompanied me through my highest of highs and lowest of lows.

    On 11th May 2018, the Sheffield band released Tranquility Base Hotel & Casino, their first new material for nearly five years. It was a completely different sound, led by the piano, which left some fans used to them thrashing on guitars upset. I loved it, however, and love it even more now as it reaches its first anniversary. I’ll tell you why.

    Tranquility Base Hotel & Casino is a collection of eleven songs loosely based around the idea that the human race has colonised the moon and opened a hotel and casino complex on it. Yet, the aesthetic feels like the 1970s. You need only to look at the video for the title track to see what I mean.

    Tranquility Base Hotel & Casino

    Tranquility Base Hotel & Casino is meant to feel like a place you can go and spend a while. Tranquility Base was the name given to the area of the moon that Apollo 11 landed on in July 1969.


    I liked the idea of naming [the album] after a place, because to me records that I’ve been in love with and continue to be in love with feel like they’re places that you can go for a while.

    Alex Turner, Arctic Monkeys

    For me, it absolutely achieves that aim. I have listened to the album hundreds of times, often when I’ve got into my car after a tedious day of pushing trolleys around a supermarket car park. Heading to Tranquility Base for 41 minutes is a great way to escape the mundanities of real life.

    In these days of cherry-picking individual songs on streaming services, it was a bold move to release a proper album – a collection of songs designed to be listened to as a whole, in a particular order. The end of One Point Perspective actually blends in to the beginning of American Sports to emphasise this.

    The album is full of quotable lines. You get the feeling Turner was enjoying himself writing it, relishing the freedom its other-worldly setting was affording him. The genre of science fiction is often used as a method of commenting on our own world, as if taking a step back and looking at it from a different perspective offers the opportunity to say things you might not feel comfortable with otherwise.

    Turner does this in the song Golden Trunks. He had always steered clear of politics in his lyrics, but with this album he felt able to have a little stab at it.


    The leader of the free world
    Reminds you of a wrestler wearing tight golden trunks

    Golden Trunks

    I don’t know about you, but I get a rather unpleasant image of Donald Trump in my head after hearing that.

    Music is saturated with love songs. Turner wanted to give them a swerve after several of them appeared on Everything You’ve Come To Expect, the 2016 album he made with his side project The Last Shadow Puppets. A couple made their way onto this album, though, with the closing track The Ultracheese being the most gushing. It is this song that contains my favourite line of the whole album.


    Oh, the dawn won’t stop weighing a tonne
    I’ve done some things that I shouldn’t have done
    But I haven’t stopped loving you once

    The last lines of the album’s closing track The Ultracheese

    Whenever I hear that, the hairs on the back of my neck stand up. It’s such a great observation about love – we mess up sometimes, but we never stop loving.

    In September last year, I saw Arctic Monkeys on their UK tour at the Sheffield Arena. It was a dream come true, seeing my heroes in the flesh in their hometown. The aesthetic they had created with the album carried on perfectly – the stage design, the clothes the band wore and even their hairstyles complemented Tranquility Base wonderfully.

    Wide shot of the stage at Sheffield Arena as Arctic Monkeys performed
    Seeing Arctic Monkeys live at Sheffield Arena in September 2018

    Tranquility Base Hotel & Casino is a brilliant, mature, visceral album that I will be listening to for years to come. I hope you give it a try.

    Track list (click on song to listen)

    1. Star Treatment
    2. One Point Perspective
    3. American Sports
    4. Tranquility Base Hotel & Casino
    5. Golden Trunks
    6. Four Out Of Five
    7. The World’s First Ever Monster Truck Front Flip
    8. Science Fiction
    9. She Looks Like Fun
    10. Batphone
    11. The Ultracheese

    Now watch Arctic Monkeys perform the opening track, Star Treatment, live at TRNSMT festival in Glasgow from July 2018.

  • ‘No one cares’ – the infuriating misogyny on the internet

    I know I shouldn’t.

    I know I shouldn’t rise to it. I know they are on the wind up. Looking for a reaction. Reeling me in.

    But I just can’t help it.

    I’m referring to people on Twitter who reply to any – and I mean any – post about women’s sport with the words ‘no one cares’.

    A blokey bloke claiming to speak for every man in Britain

    It’s incredibly irritating. It’s so fundamentally incorrect, so infuriatingly dismissive and so annoyingly pompous. Who are they to speak for everyone? They might not care themselves, fine, but they don’t speak for me.

    Personally, if I don’t care about something I don’t spend my time commenting on tweets about it making it clear to everyone that I am not interested. I like most sports but golf and Formula 1 leave me cold. I am well aware that millions of people love them, though, so I leave them to it. It’s the way these blokes – and it is always blokes – desperately need to tell everyone that they don’t care about women’s sport that gets to me.

    Another bloke

    It is most often ‘no one cares’. That’s the textbook blokey casually sexist reply. Sometimes it’s a snide comment on the size of the crowds at a women’s sporting event. Sometimes it’s more explicit, with suggestions that the players ‘should be in the kitchen’ or that there would be more interest if the players were in bikinis.

    Joking or not, comments like these are wrong. It’s 2019 now. Shouldn’t we have moved on from these tired cliches? Jokes require an element of humour, and there’s nothing funny about them.

    Women’s sport is in a fantastic place right now, and getting better all the time. As I write this, the England football team are on the verge of winning the SheBelieves Cup. The England cricket team are world champions, having beaten India in front of a crowd of around 25,000 at Lord’s in 2017. And who could forget the Great Britain hockey team’s thrilling gold medal at Rio 2016?

    England’s women’s cricket team won the World Cup in 2017

    When England’s women played the Netherlands in the semi-finals of Euro 2017, 4 million people watched it on Channel 4. This was the biggest UK audience for a women’s football match to date, and the match got double the average audience of that day’s episode of Celebrity Big Brother. This is solid proof that ‘no one cares’ is plainly wrong.

    This is not about wanting to fight a battle on behalf of women. This just really irritates me. When I’ve engaged with the people who make these comments, I’m usually met with denial. Nobody cares mate. These facts you’re telling me are made up. Sometimes I’m told that I’m in the ‘PC (politically correct) brigade’. I’m not. It’s not PC to not hate, or be frightened of, women. Because that’s what these men are. They will deny it until they are red in the face but they’re are afraid that these women playing sport threatens their masculinity.

    Once, I was given the bizarre response that I am only defending women’s sport because I think it would make women want to sleep with me. I mean, really? How shallow can you be? That one wasn’t even worthy of a reaction.

    This bloke can only imagine caring about women’s sport if it was in the pursuit of sex

    I felt like writing this because I am sick of calling out the ‘no one cares’ blokes on Twitter. I thought I’d write very clearly why they are wrong and link them to it in future.

    Women’s sport is on the rise and that should be celebrated. It doesn’t need some bloke on social media dismissing it. Let’s not let them.

  • It’s time to start talking about Wes in the same breath as the Norwich City greats

    Sitting in the Barclay on Saturday, watching Norwich City’s excellent 3-1 win over Bournemouth, it began to dawn on me that I was watching a player who had the ability to bring back all the excitement and giddiness for me that I used to get from watching football as a child.

    I feel that Wes Hoolahan is a player we need to cherish while he is still around. Sometimes nicknamed Wessi, Hoolahan did exactly the same job for Norwich at the weekend as the Lionel the name alludes to does for Barcelona – he pulled the strings. He made things happen. He was the playmaker every team craves – creative, quick, making the right decisions.

    Hoolahan is City’s longest serving player, joining in June 2008. Yes, he appeared to be angling for a move to Aston Villa two seasons ago – refusing to celebrate after scoring against the side then managed by Paul Lambert, and reportedly making some derogatory comments about the club to a journalist – but he stayed with us, as he has done throughout some very good times and some very bad times in the recent history of the Canaries.

    The Irishman cost Norwich £250,000. His career with the club started slowly, stalled as many things were by the awful reign of Glenn Roeder, but few would argue now that for what Hoolahan has brought to City the transfer fee was a bargain.

    Part of the ‘holy trinity’ during the League One campaign alongside Grant Holt and Chris Martin, Hoolahan is like most creative players in that he can delight and infuriate in equal measure. Some days he will give the ball away cheaply, try one mazy dribble too many or simply get eased off the ball, but when he’s on form he is an absolute joy to watch.

    Wes Hoolahan belts the ball into the Bournemouth net on Saturday.

    On Saturday, Wes Hoolahan was most definitely on form. He’s 33 years old now, but he seems to have found even more pace from somewhere and Bournemouth couldn’t handle him. Skinning a defender and cutting back for Cameron Jerome to put Norwich ahead – all whilst carrying his shin pad in his hands – and then scoring one of his own, brilliantly finishing past goalkeeper Artur Boruc when he could have passed left or right, punctuated an excellent display from a man who is now a regular in the Republic of Ireland team and was earlier this year named in the Football League Team of the Decade.

    I think it’s time to start talking about him in the same way we do the likes of Darren Huckerby, Iwan Roberts and Grant Holt – because in my eyes Wes Hoolahan is already a Norwich City legend.

  • Cricket 4 The Masses

    I found this video on YouTube recently. Uploaded by madmusician91, who must take all the credit for it, the video shows the last few minutes of Channel 4’s excellent live coverage of cricket:

    England had just won the Ashes for the first time in 18 years, in what is regarded as the greatest Test series ever played. Cricket was in the public consciousness like it had not been since Botham’s Ashes of 1981, enjoying popularity akin to football, being talked about across the country. Ironic, then, that that series was to be the end not only of Channel 4’s coverage, but of live international cricket coverage as a whole on terrestrial television in the UK.

    Television was still in its infancy when the BBC decided to show the Lord’s and Oval Tests against Australia in 1938. Very few people owned a television then – and if they did they were rich. Even so, whatever viewers there were got the chance to see Len Hutton score 364; at the time it was a world record and it is to this day the highest Test score by an Englishman. The BBC continued to show live England cricket right up until 1999.

    Test cricket at Old Trafford in 2014 - but you needed to pay to see it on television.
    Test cricket at Old Trafford in 2014 – but you needed to pay to see it on television.

    Pay television first made an impact on live England home matches at this point – Sky Sports shared coverage with Channel 4. Rupert Murdoch’s network had already been showing England tours since 1990, but this was their first foray into home internationals. The rights deal, however, remained in favour of the terrestrial broadcaster. Sky showed just the one Test match each summer, with the other five or six on Channel 4. Sky showed all of the one day matches live.

    In 2004, to some surprise, the England and Wales Cricket Board announced that it had awarded exclusive rights to England home matches to Sky Sports. This meant that from 2006, fans would have to pay to watch England play live for the first time. The deal went ahead despite a campaign to ‘Keep Cricket 4 Us’ and with an extension until 2017 cricket will only be shown as highlights on Channel 5.

    While Sky’s money has been invested in grassroots cricket, with the sport not easily accessible to the general public interest has inevitably waned. The conclusion of Sky’s first live Ashes series in 2009 was watched by just under 2 million viewers, with the average throughout the day at 856,000. Compare this to Channel 4’s live coverage of the 2005 Ashes finale – 7.4 million watched the end of play, with an average of 4.7 million between the lunch break and the close.

    With such a gulf in viewing figures between the pay TV channel and the terrestrial, there remain calls for live England cricket to return to free-to-air television. With no prospect of this until at least 2018, however, it looks like an hour of highlights per day is all we will have to satisfy us for now.