LEE PAYNE

Tag: sheffield

  • My not-at-all-impartial review of the latest Arctic Monkeys album

    Friday 21st October. A package lands on the doormat. Could it be? The previous day’s postal workers’ strike had put doubt in my mind. It was the right size and shape. All the signs were good. I opened it. YES! It is!

    The new Arctic Monkeys album!

    Me, excitedly showing off my copy of the new Arctic Monkeys album

    Yes, I know I could get it on Spotify or Apple Music, but I always like to own things that are important to me in a physical form if I can. Maybe, as someone born in 1992, I’m part of the last generation that doesn’t automatically go digital with everything. The CD will live in my car, appropriately enough given its title.

    This will be my ‘review’ of The Car, the seventh studio album to be released by Arctic Monkeys. Just don’t expect it to be an impartial review. In case you’re not already aware, I LOVE Arctic Monkeys. I mean, look at the photo above! I’m wearing an Arctic Monkeys t-shirt, I’m holding an Arctic Monkeys album and on the wall (my bedroom wall) behind me are framed prints of each of their previous albums and their track listings. It sounds like a cliché, but Arctic Monkeys have been the soundtrack to a large part of my life. The lyrics speak to me. Their songs have helped me through tough times and accompanied me at high points. I’ve been to The Grapes in Sheffield, the pub where they played their first gig, and I have also seen them play live in their home city. I even had my photo taken next to an Arctic Monkeys-themed elephant sculpture (evidence provided below).

    With the Arctic Monkeys elephant sculpture, Sheffield city centre, July 2016

    The last decade has seen us fans have to wait a long while for new material from our heroes. After the phenomenally successful album AM was released in 2013, there was a near five year wait until its follow-up Tranquility Base Hotel & Casino arrived in 2018. The tour for that album came to an end in the spring of 2019, and the now familiar silence from the Monkeys began. We did get a pandemic treat in the form of a live album, Live At The Royal Albert Hall – a recording of a 2018 concert released in December 2020 with all the proceeds going to charity – but otherwise the band were on hiatus.

    In August 2021, reports that Arctic Monkeys had been recording at Butley Priory in Suffolk made the NME. The band had enjoyed the experience of all living and recording together under one roof on their previous album when they used La Frette studios just outside Paris to put their sci-fi inspired masterpiece together, so it was not unexpected to hear that they’d taken over what is essentially a wedding venue for their next record. Butley Priory’s website referred to hearing “the double bass, drums and piano wafting out of the open double doors”, indicating that this album would likely be as light on heavy guitar as their last.

    Then, the trail went cold again. In November last year, an announcement was made that Arctic Monkeys would be playing a small number of shows in Europe in August 2022, starting in Istanbul, Turkey. The months passed, that first date came and we still had no new music. Some people were even questioning if the band would actually be performing in Istanbul. YouTube footage confirmed that they definitely did, and served up a selection of hits with no new songs. They continued to do this on subsequent tour dates until 23rd August, when they played I Ain’t Quite Where I Think I Am for the first time. At last, we had an idea of what the seventh album might sound like.

    A day later, the lid was finally lifted. The new album would be called ‘The Car’ and it would be released on 21st October. I pre-ordered my copy on CD immediately. The track listing was also released, with ten songs. Click on the title of one to hear it:

    There’d Better Be A Mirrorball
    I Ain’t Quite Where I Think I Am
    Sculptures Of Anything Goes
    Jet Skis On The Moat
    Body Paint
    The Car
    Big Ideas
    Hello You
    Mr Schwartz
    Perfect Sense

    Unlike the last album, which had no singles released from it at all in the build up, we did get to enjoy some of the songs from The Car before 21st October. As 29th August became the 30th, I was eagerly awaiting the release of There’d Better Be A Mirrorball (click here to read something I wrote about it a while ago). Going by the title alone, I was expecting something with a kind of 70s groove, but it is actually a wonderfully concise break up song. Frontman Alex Turner has addressed the end of a relationship before, but in Do Me A Favour from 2007’s Favourite Worst Nightmare he did it in a far more aggressive way. In Mirrorball, he’s approaching it in a more mature manner. The song actually turned out to be extremely indicative of what the rest of the album would be like – Turner would reveal in interviews that the brooding intro to Mirrorball opened his eyes to the direction this new material was going in, and the theme of a break up or a goodbye runs throughout the album.

    I Ain’t Quite Where I Am gets as close to the groove I was expecting from Mirrorball with its guitars, then Sculptures Of Anything Goes is a gorgeous tune that contains these lyrics:

    Puncturing your bubble of relatability
    With your horrible new sound
    Baby, those mixed messages ain’t what they used to be

    Sculptures of Anything Goes

    I wonder if that might be aimed at the ‘fans’ of the band who felt isolated by the direction the Monkeys went in with TBH&C. Those complaints have always annoyed me. The first Arctic Monkeys album was released in 2006, when they were still teenagers. The tales of nights out in Sheffield would sound ridiculous now they are closing in on 40. The band have grown up, and so have their music. I doubt they would have remained relevant for as long as they have had they tried to replicate their first album time after time, and if they had done that they’d look as ridiculous as Green Day.

    The Car isn’t an album of songs that you can dance to, but I would argue that it is never its intention. I put it on in my car and I am transported to another world – these songs take me somewhere, away from the stress and anxiety I feel most of the time. While it felt like it took a couple of listens to the previous album to go through a sort of ‘wall of understanding’, the effect of The Car was instant – by the end of my first play-through I was hooked. I’ve listened to little else in the last week and I am nowhere near being remotely bored by any of these songs.

    It strikes me that this album contains no filler at all. Usually at least one song will be one you don’t remember too much about and don’t come back to after a while, but The Car is incredibly strong throughout. The closest it gets to filler is Jet Skis On The Moat, but even that contains a catchy chorus with the lines:

    Is there somethin’ on your mind
    Or are you just happy to sit there and watch while the paint job dries?

    Jet Skis On The Moat

    Body Paint was the second single to be released. Its repeated chant of “still a trace of body paint, on your arms and on your legs and on your face” towards the end is guaranteed to be belted out by crowds for years to come and we’ve just discovered that it sounds bloody amazing live:

    The use of strings on this album blows me away. They never feel like they are fighting with the rockier aspects of the tunes, the band has managed to pull off making them sound like they complement each other. The title track, The Car, sounds wonderfully cinematic thanks to its use of strings.

    My personal favourite song on the album is the epic Big Ideas. These lines are a fantastic contemplation on the act of songwriting:

    I had big ideas, the band were so excited
    The kind you’d rather not share over the phone
    But now, the orchestra’s got us all surrounded
    And I cannot for the life of me remember how they go

    Big Ideas

    The instrumental at the end is simply beautiful. Arctic Monkeys had actually convened much earlier than the Butley Prior sessions of summer 2021 to attempt to record some new material, pre-pandemic, and everything they did then ended up on the cutting room floor – everything apart from Hello You, the most upbeat tune on the record. We are then introduced to a mysterious character called Mr Schwartz, who we are told is “stayin’ strong for the crew”. Finally, a wondrous way to close an album, Perfect Sense tells us:

    If that’s what it takes to say goodnight
    Then that’s what it takes

    Perfect Sense

    You’re not inside the world of The Car for long – the album is over and done with in about 35 minutes. But boy, have I loved being inside that world. Yes, I know I’m a massive Monkeys fan and that this would have had to have been a really poor album for me to say anything else but, truly, I think it is a masterpiece. Its overtones of farewells have got some fans wondering whether this is the band signing off after 17 years at the top, but I really hope that isn’t the case. This is a band who have more stories to tell, more avenues to explore. I’m going to see them at Carrow Road, the home of my beloved Norwich City Football Club, in June next year and I couldn’t be more excited.

  • Listen To This: There’d Better Be A Mirrorball by Arctic Monkeys

    My favourite band, Arctic Monkeys, released their first new material in more than four years this week.

    There’d Better Be A Mirrorball is the first single to be released from their new album, The Car, which is out on 21st October.

    The Sheffield band spent some time recording last summer at the 14th century Butley Priory in Suffolk. People there said: “Being serenaded while watering and weeding the garden, listening to the double bass, drums and piano wafting out of the open double doors, was pretty nice.”

    I’ve been playing the new song on repeat since it was released, and when I haven’t it has been running through my mind like a particularly voracious earworm. The word I would use to describe it is sumptuous – there are so many layers to enjoy. Alex Turner’s voice sounds better than ever, deep and brooding, with the strings giving it Bond theme vibes. Lyrically, it’s a break up song; I’ve heard it described as “Mardy Bum for grown ups”. Here are my favourite lines:

    Darling, if I were you
    And how’s that insatiable appetite?
    For the moment whеn you look them in the eyеs
    And say, “Baby, it’s been nice“

    There’d Better Be A Mirrorball by Arctic Monkeys

    Arctic Monkeys played their first gig since 2019 in Istanbul, Turkey at the beginning of August and made their way across Europe performing mainly at festivals before headlining Reading + Leeds Festival last weekend. You can see highlights of their set here.

    The photos above are just a snapshot of my bedroom, which since being redecorated recently has become something of an Arctic Monkeys shrine. Now you’ve seen those, you’ll hopefully understand that for me the release of new music from them is like Christmas. I already know what will be the soundtrack to my autumn.

  • Listen To This: Suck It and See by Arctic Monkeys

    Arctic Monkeys in 2011

    There was a lot riding on the fourth studio album from Arctic Monkeys. 2009’s Humbug had seen the band adopt a daring new sound that divided fans, a big departure from the record breaking debut and the follow up that capitalised on its incredible success. The next effort was pivotal – would they blend everything they’d learned into a hit record, or alienate the people that had made them popular in the first place once and for all?

    In the gap between the Arctics’ third and fourth albums, frontman Alex Turner wrote and recorded six original songs for the soundtrack to Submarine, a film directed by Richard Ayoade – known as Moss from The I.T. Crowd – who had been behind the videos for Arctic Monkeys songs Fluorescent Adolescent and Cornerstone. I was made aware of it by Turner’s involvement but I loved the style, the story and the performances and it has become my favourite film.

    By 2010, Turner was living in New York with his then-girlfriend, the TV presenter and model Alexa Chung. It was there that he wrote most of the twelve songs that would make up the fourth Arctic Monkeys album. In Los Angeles, the band recorded live takes of each track – a different process to Humbug, where they used overdubbing.

    As for the title? It could have been The Rain-Shaped Shimmer Trap, inspired by the ‘colourful’ names often given to guitar fuzz pedals. According to drummer Matt Helders, ‘it were genuinely gonna be Thriller for, about… a week’. Eventually, they settled on the title of the album’s eleventh track to label the entire record: Suck It and See was born.

    The rather sparse cover of Suck It and See – some American retailers found the title offensive and covered it with a sticker

    Track listing

    She’s Thunderstorms
    Black Treacle
    Brick by Brick
    The Hellcat Spangled Shalalala
    Don’t Sit Down ‘Cause I’ve Moved Your Chair
    Library Pictures
    All My Own Stunts
    Reckless Serenade
    Piledriver Waltz
    Love Is a Laserquest
    Suck It and See
    That’s Where You’re Wrong

    Released on 6th June 2011, more than 82,000 copies of Suck It and See were sold in its first week, comfortably knocking Lady Gaga off the top of the albums chart and giving the Arctics another number one. The songs are much less dark than those on Humbug, the band returning to a more accessible pop sound – Q magazine described it as ‘the sound of a band drawing back the curtains and letting the sunshine in’. They remained unafraid of trying something new, however.

    The Hellcat Spangled Shalalala was the first Arctic Monkeys song I ever heard played over the PA system in a football ground, a sign of how mainstream this album was. Brick by Brick featured Matt Helders on vocals, with Turner only belting out the chorus. Some songs were inspired by such innocuous moments as someone telling Turner in the studio ‘don’t sit down, ’cause I’ve moved your chair’. Piledriver Waltz was written for the Submarine soundtrack and was re-recorded with the full band for the album.

    Turner’s insightful lyrics are still very much part of the package. On All My Own Stunts, he sings ‘Been watching cowboy films on gloomy afternoons/Tinting the solitude’, a possible reference to the long days in New York waiting for his girlfriend to come home. The excellent Love Is a Laserquest contains my favourite lyrics on the album:

    And do you still think love is a laserquest?
Or do you take it all more seriously?
I've tried to ask you this in some daydreams that I've had
But you're always busy being make-believe

And do you look into the mirror to remind yourself you're there?
Or have somebody's goodnight kisses got that covered?
When I'm not being honest, I pretend that you were just some lover

    Matt Helders has a lot to thank Suck It and See for – it was while recording the video for the title track that he met model Breana McDow. The couple had a daughter in 2015 and were married in 2016, though sadly divorced in 2019.

    Matt Helders and Breana McDow became a couple after shooting this video together

    Suck It and See was another important step for the Arctic Monkeys after Humbug, and paved the way for the huge success of AM that followed.

  • Listen To This: Humbug by Arctic Monkeys

    Listen To This: Humbug by Arctic Monkeys

    You’ve had two number one albums. The first was the fastest selling debut album in British music history. You’ve won the Mercury Prize. You’ve headlined Glastonbury. Where do you go from here?

    Many would have been tempted to stick to the formula that had brought such huge success, releasing a rinse-and-repeat third album to please the masses. Not Arctic Monkeys.

    After a whirlwind period in which the Sheffield band’s first two albums had been released within fifteen months of each other, there was more of a gap between 2007’s Favourite Worst Nightmare and its follow up. The front man, Alex Turner, recorded with his side project The Last Shadow Puppets – the resulting album, The Age of the Understatement, also went to number one.

    The four members of Arctic Monkeys had first met Josh Homme while playing the support act for his band, American rock outfit Queens of the Stone Age, in Houston. The idea of working together was mooted and in late 2008 they began making music with Homme in his recording studio near Los Angeles. They then continued to work in another studio in the Mojave Desert – about as far away from suburban Sheffield as it is possible to imagine.

    The result was Humbug.

    Album cover of Humbug by Arctic Monkeys

    Track listing (click to listen)

    My Propeller
    Crying Lightning
    Dangerous Animals
    Secret Door
    Potion Approaching
    Fire and the Thud
    Cornerstone
    Dance Little Liar
    Pretty Visitors
    The Jeweller’s Hands

    Ten tracks, all written by Turner as usual, but this time the lyrics were more abstract and instead of just guitars and drums those lyrics were accompanied by keyboards, xylophones, glockenspiels and shakers.

    I won’t go into detail about each song, but here a couple of things I want to say: Fire and the Thud was written about Turner’s then-girlfriend Alexa Chung, and Cornerstone contains my favourite lyrics in the entire Monkeys canon.

    Tell me, where’s your hiding place?

    I’m worried I’ll forget your face

    And I’ve asked everyone

    I’m beginning to think I imagined you all along

    Cornerstone by Arctic Monkeys

    Humbug was released in the UK on 24th August 2009, which was not just the day before my 17th birthday but also five days before Arctic Monkeys headlined Reading Festival with a set that included seven of the new album’s ten tracks. They were almost unrecognisable from the band that had performed on the same stage just three years earlier – the hair was longer, the guitars louder, the mood darker.

    Arctic Monkeys headlining Reading Festival in 2009

    As such a major departure from their earlier work, it took some fans time to get their heads around Humbug but it was another number one album for the band and is now seen as something of a gateway for them – a record that allowed them to break out of the image of cheeky indie lads and into bona fide rock stars. It paved the way for AM, the album that broke America, and the other-worldly Tranquility Base Hotel & Casino.

    Yes, I’m well aware that I’m biased (I’ve listened to Arctic Monkeys nearly every day for years), but I urge you to give this album a listen.

  • Listen To This: AM by Arctic Monkeys

    Listen To This: AM by Arctic Monkeys

    AM album cover

    Yes, I’m writing about Arctic Monkeys again. To go with my pieces on their first, second and sixth albums, I am going to take you track-by-track through the record that cracked America for the four-piece from Sheffield.

    One of the things I admire so much about Alex Turner, Jamie Cook, Nick O’Malley and Matt Helders is how they have evolved over time. They have never been afraid to go in a completely different direction and, to them, making the same music over and over again is a crime. Listen to their first hit single, 2005’s I Bet You Look Good on the Dancefloor, and One Point Perspective, my favourite track from the 2018 album Tranquility Base Hotel & Casino, and you can scarcely believe that the two songs were written and recorded by the same band.

    By the time AM was released on 9th September 2013, Arctic Monkeys had transformed from the scruffy indie kids in baggy jeans they were when they started out to rockers with slicked-back hair and leather jackets. The music had gone through a similar process.

    In an interview with BBC Radio 1 at the time of release, frontman Alex Turner said:

    “…it feels like this record is exactly where we should be right now. So it felt right to just initial it.”

    AM was born – with more than a nod to VU, released in 1985 by the Velvet Underground.

    Track list (click on one to listen)

    Do I Wanna Know?
    R U Mine?
    One For The Road
    Arabella
    I Want It All
    No. 1 Party Anthem
    Mad Sounds
    Fireside
    Why’d You Only Call Me When You’re High?
    Snap Out Of It
    Knee Socks
    I Wanna Be Yours

    The album’s opening track Do I Wanna Know? features what I consider to be one of the great guitar riffs. If you happen to be walking somewhere listening to it through headphones, I promise that you will feel approximately 94% cooler than you really are. The song is about unrequited love, how difficult it is to move on when you’ve been obsessed with someone and ponders whether the narrator really wants to know ‘if this feeling flows both ways’ or not.

    Another reason why this band means so much to me is that I really identify with the lyrics. There’s a line in the song – ‘maybe I’m too busy being yours to fall for somebody new’ – that completely nails how I’ve felt in the past, in a way that I hadn’t been able to figure out for myself up to that point. Do I Wanna Know? was the first Arctic Monkeys song to make the Billboard Hot 100 chart in the US and was the opener to every gig the band played when touring the album. If you’re a fan of Peaky Blinders you might recognise it too.

    The band wanted to make a record that sounded good in a car and after that strong start they follow it up with R U Mine?, which sounds a bit like an up-tempo version of Do I Wanna Know?. The rapidly delivered lyrics are about missing the object of your desires and having a sincere feeling that every moment spent without them is wasted. The video for the song won the NME award for Best Video:

    The award winning video for R U Mine?

    One For The Road is the first example on the album of the continuing influence of Josh Homme on Arctic Monkeys. The frontman of Queens of the Stone Age first worked with the Monkeys on their third album Humbug and has been close to them ever since. In this song, you get the sense that Homme – who features on vocals – is moving their sound away from their native Sheffield and towards a kind of Americana. This was not a popular move among some of the fans but, for me, it’s really good if done well – which it is here.

    “And when she needs to shelter from reality she takes a dip in my daydreams”

    — Lyric from Arabella

    Alex Turner would introduce a performance of the fourth track from the album by informing the crowd ‘I want to tell you about a girl called Arabella!’. The lyrics are poetic, full of metaphors and a sign of how Turner’s songwriting has matured from, as he put it, ‘pointing at things and talking about them’ to speaking more from within. The song is essentially all about how awesome the aforementioned Arabella is.

    I Want It All and Mad Sounds are as close as this album gets to filler – very listenable songs, both achieve the aim of sounding great in the car – but just not particularly ground breaking. Between those tracks sits No. 1 Party Anthem, the obligatory ‘slow’ number on the album. I’m not sure why, but it feels to me like a bit of a tribute to the band’s debut single I Bet You Look Good On The Dancefloor. It contains some cracking lyrics too, my favourite being ‘It’s not like I’m falling in love, I just want you to do me no good/And you look like you could’. The performance of it at Reading festival in 2014 was a highlight of their set.

    No. 1 Party Anthem live at Reading Festival in 2014

    Take in Fireside for its tale of how love can be unpredictable, the much-covered Why’d You Only Call Me When You’re High? for its story of frustration and try to get over that special someone with Snap Out Of It.

    Knee Socks is another song featuring the voice of Josh Homme, which might explain why I’ve always found it very similar to One For The Road.

    Most people would agree that Arctic Monkeys is a terrible name for a band. The story goes that it was guitarist Jamie Cook who came up with it but they were always looking to change it, until the performance poet John Cooper Clarke was apparently the first person to say he actually liked it. Clarke had always been a hero of Alex Turner’s, which isn’t surprising what with his proficiency with language, and performed at the Sheffield bar Turner was working in one night. Turner plucked up the courage to tell Clarke about the band he was part of and Clarke said ‘that’s a name I can imagine in the hit parade!’. The name has stuck ever since, and one of Clarke’s poems was slightly tweaked to turn it into the closing song on AM.

    I Wanna Be Yours, with its quirky lyrics including ‘let me be your vacuum cleaner, breathing in your dust’, seems the perfect way to finish off the record – it’s a love song, but one that’s down to earth and not too mushy. And for a brooding, confident album there seems no better ending.

  • Listen To This: Favourite Worst Nightmare by Arctic Monkeys

    It was only the year 2007 and yet it had already been quite the ride for Arctic Monkeys. Entering their fifth year since forming, they already had two number one singles and the fastest selling debut album by a band to their name. The Prime Minister, Gordon Brown, even claimed to be a fan – though when pushed he couldn’t name any of their songs. The time had come to tackle the difficult second album.

    On 23rd April 2007, Favourite Worst Nightmare was released. Not as raw as the previous year’s Whatever People Say I Am, That’s What I’m Not, the twelve songs feel more polished. Alex Turner’s superb observational lyrics go a little deeper and branch out further than musings on Sheffield’s nightlife.

    The album opens with Brianstorm, a loud and confident start which apparently describes a man the band met backstage after a gig in Tokyo. ‘Brian’ left such a big impression on the Monkeys – ”Cause we can’t take our eyes / Off the t-shirt and ties combination?’ – that he became the subject of a song. Brianstorm has become an absolute staple of their live sets, a real crowd pleaser, and they are still performing it now. Here it is from Lollapalooza in Argentina in 2019:

    Next comes Teddy Picker. If you’ve ever been to one of the arcades at the seaside, you’ll know what a teddy picker is – those machines that have a claw you try to grab prizes with. Turner uses those teddy pickers as a metaphor for the pursuit of fame and the downside of it. ‘And it’s the thousandth time that it’s even bolder / Don’t be surprised when you get bent over / They told you, but you were gagging for it’. It’s basically a warning to be careful what you wish for.

    Track three is D Is For Dangerous, the chorus of which gives the album its title:

    ‘D is for delightful
    And try and keep your trousers on
    I think you should know you’re his favourite worst nightmare’

    Love is certainly not an unexplored topic in music, but I have always admired the slightly different way Alex Turner approaches the subject. Like in the first album’s Mardy Bum, which describes a row between a couple, D Is For Dangerous is about being in love with someone you know it won’t be easy to deal with.

    Matt Helders, Alex Turner, Nick O’Malley and Jamie Cook in 2007

    The album moves on to a song about casual sex. Balaclava, with its catchy bass throughout, is all about not becoming emotionally attached to the girl you’ve just pulled. ‘The confidence is the balaclava’.

    Next is my favourite song on the album, Fluorescent Adolescent. It’s probably the best known one on it, and the one you’re most likely to have heard somewhere else (it was, for example, on the soundtrack to The Inbetweeners). It starts with two guitars crashing into each other, leading into Turner’s lyrics about getting older. I can do no better than to relay the whole of the first verse:

    ‘You used to get it in your fishnets
    Now you only get it in your night dress
    Discarded all the naughty nights for niceness
    Landed in a very common crisis
    Everything’s in order in a black hole
    Nothing seems as pretty as the past though
    That Bloody Mary’s lacking in Tabasco
    Remember when you used to be a rascal?’

    Turner was just 20 years old when he wrote that with the help of his then-girlfriend Johanna Bennett.

    The band slowed the song down and added a snippet of Dion’s Only You Know to it to make for a highlight of their headline set at Reading in 2009:

    Like most albums, Favourite Worst Nightmare has a slower tune in the form of Only Ones Who Know. I would almost describe the guitars on this song as haunting. It’s great to listen to with headphones on. It feels like a sad song, and sets this album apart from their debut, which had a cheekier tone throughout.

    In Do Me a Favour Turner once again turns the classic break up song on its head by writing it from the perspective of the person in the wrong. It starts with Matt Helders thundering on his drums and describes, in Turner’s words, ‘a goodbye’.

    ‘It’s the beginning of the end
    The car went up the hill and disappeared around the bend
    Ask anyone, they’ll tell you that it’s these times that it tends
    To start to break in half, to start to fall apart, hold on to your heart’

    We are into the second half of the album and This House is a Circus signals a change in tone for the album. A wild night out is described in what Turner calls his favourite song from the record.

    Next, it’s If You Were There, Beware and we are back onto the topic of fame. In this one, Turner talks about how annoyed he is at the way the media treats his loved ones. In terms of the instrumentation it’s the clearest hint we get of what was to come on the third Monkeys album, Humbug, which represented a major shift in sound for the band. Lyrically, it seems Turner’s girlfriend is being hounded by the paparazzi:

    ‘If you were there, beware the serpent soul pitchers
    Can’t you sense she was never meant to fill column inches
    Ain’t you had enough? What you’re trying to dig up
    Isn’t there to be dug; the thieves help the thugs
    As they’re trying to beat the good grace of a sweetheart
    Out to the point she’ll comply’

    The bad thing in Do The Bad Thing is having an affair, and Old Yellow Bricks is all about finally getting out of your hometown and realising that the rest of the world isn’t up to much after all. An interesting one, given that nowadays two of the band live in Los Angeles while the other two have settled back down in their native Sheffield.

    The album closes with 505, a song recently named the best of all Arctic Monkeys songs in a radio station poll and a track the band have used to bring the curtain down on countless live performances over the years. It starts off with the sound of an organ, the same chords you can hear in the Western film The Good, The Bad and The Ugly, and suddenly ups the tempo in the final third of what Turner described as ‘the first proper love song we’ve done’. Additional guitar for this track was provided by Miles Kane, who would form the supergroup The Last Shadow Puppets with Turner later in 2007.

    So there we have it – the twelve songs that made the difficult second album something of a breeze for Arctic Monkeys. Favourite Worst Nightmare went straight to the top of the album chart and secured the band their first headliner slot at Glastonbury. I will leave you with the band’s brilliant performance of 505 from Glastonbury 2013.

  • One year on: Tranquility Base Hotel & Casino by Arctic Monkeys

    Arctic Monkeys
    Left to right: Jamie Cook (guitar), Nick O’Malley (bass), Alex Turner (lead singer), Matt Helders (drums)

    Arctic Monkeys are my all time favourite band. No one else has ever made music that has spoken to me in quite the way they have. I own all six of the albums they have released to date, I know every one of their songs and the brilliant lyrics of their frontman Alex Turner have accompanied me through my highest of highs and lowest of lows.

    On 11th May 2018, the Sheffield band released Tranquility Base Hotel & Casino, their first new material for nearly five years. It was a completely different sound, led by the piano, which left some fans used to them thrashing on guitars upset. I loved it, however, and love it even more now as it reaches its first anniversary. I’ll tell you why.

    Tranquility Base Hotel & Casino is a collection of eleven songs loosely based around the idea that the human race has colonised the moon and opened a hotel and casino complex on it. Yet, the aesthetic feels like the 1970s. You need only to look at the video for the title track to see what I mean.

    Tranquility Base Hotel & Casino

    Tranquility Base Hotel & Casino is meant to feel like a place you can go and spend a while. Tranquility Base was the name given to the area of the moon that Apollo 11 landed on in July 1969.


    I liked the idea of naming [the album] after a place, because to me records that I’ve been in love with and continue to be in love with feel like they’re places that you can go for a while.

    Alex Turner, Arctic Monkeys

    For me, it absolutely achieves that aim. I have listened to the album hundreds of times, often when I’ve got into my car after a tedious day of pushing trolleys around a supermarket car park. Heading to Tranquility Base for 41 minutes is a great way to escape the mundanities of real life.

    In these days of cherry-picking individual songs on streaming services, it was a bold move to release a proper album – a collection of songs designed to be listened to as a whole, in a particular order. The end of One Point Perspective actually blends in to the beginning of American Sports to emphasise this.

    The album is full of quotable lines. You get the feeling Turner was enjoying himself writing it, relishing the freedom its other-worldly setting was affording him. The genre of science fiction is often used as a method of commenting on our own world, as if taking a step back and looking at it from a different perspective offers the opportunity to say things you might not feel comfortable with otherwise.

    Turner does this in the song Golden Trunks. He had always steered clear of politics in his lyrics, but with this album he felt able to have a little stab at it.


    The leader of the free world
    Reminds you of a wrestler wearing tight golden trunks

    Golden Trunks

    I don’t know about you, but I get a rather unpleasant image of Donald Trump in my head after hearing that.

    Music is saturated with love songs. Turner wanted to give them a swerve after several of them appeared on Everything You’ve Come To Expect, the 2016 album he made with his side project The Last Shadow Puppets. A couple made their way onto this album, though, with the closing track The Ultracheese being the most gushing. It is this song that contains my favourite line of the whole album.


    Oh, the dawn won’t stop weighing a tonne
    I’ve done some things that I shouldn’t have done
    But I haven’t stopped loving you once

    The last lines of the album’s closing track The Ultracheese

    Whenever I hear that, the hairs on the back of my neck stand up. It’s such a great observation about love – we mess up sometimes, but we never stop loving.

    In September last year, I saw Arctic Monkeys on their UK tour at the Sheffield Arena. It was a dream come true, seeing my heroes in the flesh in their hometown. The aesthetic they had created with the album carried on perfectly – the stage design, the clothes the band wore and even their hairstyles complemented Tranquility Base wonderfully.

    Wide shot of the stage at Sheffield Arena as Arctic Monkeys performed
    Seeing Arctic Monkeys live at Sheffield Arena in September 2018

    Tranquility Base Hotel & Casino is a brilliant, mature, visceral album that I will be listening to for years to come. I hope you give it a try.

    Track list (click on song to listen)

    1. Star Treatment
    2. One Point Perspective
    3. American Sports
    4. Tranquility Base Hotel & Casino
    5. Golden Trunks
    6. Four Out Of Five
    7. The World’s First Ever Monster Truck Front Flip
    8. Science Fiction
    9. She Looks Like Fun
    10. Batphone
    11. The Ultracheese

    Now watch Arctic Monkeys perform the opening track, Star Treatment, live at TRNSMT festival in Glasgow from July 2018.

  • Whiny Wilder rubs tired City’s noses in it

    I nicknamed Chris Wilder, the Sheffield United manager, ‘Whiny’ after his hilariously bitter reaction to losing to Norwich earlier this season. Not only does he look like what I see in my mind’s eye when I think of the typical Brexit voter, but Wilder lost all credibility when he tried to blame the City coach driver for his side’s defeat.

    image
    Chris ‘Whiny’ Wilder

    All this made it all the more galling this afternoon when Whiny Wilder walked over to the Blades fans pumping his fists in the air having just taken the three points from Carrow Road. While I will never be able to take him seriously after his rant, they clearly love him, and you’d expect that having finally got them out of League One and taking a group of bang average players into the top six more than halfway through the Championship season.

    Norwich’s heroic performance against Chelsea on Wednesday had done the world of good for the club’s image, with disillusioned City fans getting firmly back on board and the casual BBC One viewer being impressed with the effort put in against the champions. Having worked so hard at Stamford Bridge, however, and with such a thin squad it was inevitable that tiredness would be a factor. Daniel Farke would have been keen to avoid using that as an excuse, but it was clear that there were weary legs among the City team and while they huffed and puffed they didn’t have enough to win today.

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    City’s efforts at Chelsea in midweek put them at a disadvantage today

    Sheffield United’s first goal, early on, could have been defended better but really it was a pot shot that happened to find the net. Their second, coming just as Norwich looked to be close to an equaliser, came through the combination of an ill advised Alex Tettey backpass and the poor decision of Angus Gunn not to charge out of his goal to try and clear. Gunn has been brilliant this season, but from my vantage point in the Barclay I do think this was his error. By choosing to stay on his line he made it too easy for the striker.

    I overheard on the way out of the ground that, yet again, it was a defender that had to score Norwich’s goal. While left back Jamal Lewis was the scorer against Chelsea, right back Ivo Pinto gave us hope very soon after Sheffield United’s second – but it wasn’t to be. With James Maddison having an off day (which he is allowed, ignoring the fact he was being kicked all over the place by Sheffield United’s players) it was left to Nelson Oliveira to get a goal from a forward position. Nelson continued to do what he’d done for most of this season, though, and that is spray it all over the place. Norwich need to sign a striker and they need to do it soon. Before the end of January.

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    Ivo Pinto, Norwich captain and goalscorer

    When these two teams met at Bramall Lane, the Sheffield United fans could not accept that Norwich had simply done a job on them and they had been beaten by the better side on the day. They, like their manager, were incredibly bitter about City’s so-called ‘antics’. There was nothing unusual about what City did that day. Every team, every single one, will do their best to waste a bit of time when they are protecting a narrow lead away from home. Ironically, this is exactly what Sheffield United did today. They didn’t win the game through beautiful football, they closed it out by wasting time. So despite some of the Blades fans saying they ‘wouldn’t want to support a team that plays like that’, it turns out that they do and are quite happy about it.

    It was another irritating home defeat for Norwich but we must not get too down about it. It was clear at Chelsea that there is something building under Daniel Farke and I think it might be next season before we really see the benefit of it. From what I’ve seen today, I can’t see Sheffield United sustaining a promotion push either. Their squad is nothing special and they should be happy with a top half finish. City may have come up short today, but at least you won’t find our manager blaming the opposition’s coach driver for it.